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As additional information about John Arneaux, here is the sheet music for his song "Jumbo the Elephant King". It is in the collection of the Library of Congress in Washington DC. (Arneaux appears to have written at least two other songs, "You Had Be…
Above, Illustration of Edwin Booth as Richard, in an engraving published in Booth's own acting edition of the play in 1872. Edwin Booth first played the Academy of Music in the role of Richard III on August 24th 1863 . The productio…
Since I refer to it so often in the episode, and because I call the veracity of its details into question during this episode, I thought it was only fair that I reproduce the entire chapter about John A. Arneaux in William Simmons' book Men of Mark:…
Above, a drawing made by Major John Andre, depicting a knight of the Mischianza. According to one source: "André sketched this knight of the Mischianza with his squire for the souvenir book he assembled for Peggy Chew. The picture is a bit of…
As I promised in Episode #26, "The Everlasting Minstrel Show", here is the complete item from the June 13th, 1863 New York Clipper about the "Ira Aldridge Troupe". It was part of a longer article entitled "The Theatrical Record", and had the subhead…
Philadelphia artist Frank Taylor's rendering of Dumont's Minstrel's - also known as the Eleventh Street Opera House. Collection of the Library Company of Philadelphia.By the time Taylor made this drawing in the 1920s, the theater had been demo…
A copy of the bust of Charlotte Cushman by Emma Stebbins, which was a longtime feature of the collection of the Cushman Club in Philadelphia. It was given to the club in 1957 by Stuart Louchheim, then the president of the Academy of Music. It now re…
Above: The cover of Christian DuComb's book Haunted City. Below: Christian Ducomb has himself been a Mummer. He performed as a slice of pizza with the Vaudevillians Comic Club in the 2010 Mummers Parade. (Photo from an 2017 article i…
Print of the Academy of Music, 1857. In a very early article about the Academy of Music from the late 1850s, a writer remarked that there was a general effort in Philadelphia to call it "The Broad Street Opera House." This would have followed t…
A British cartoon showing the O.P. riots in London in 1809. The point of view of the artist is decidedly opposed to the protests, as the cartoon shows working class roughnecks assaulting and robbing well-dressed toffs in the pit of the Grand Nationa…
